|‘Decoration and Glass’, Feb. 1936|
The Lapstone Hill Hotel stands alone in the front rank of country hotels, price for price and class for class, particularly with regard to the brightness and colourfulness which seem to enfold the hotel within and without and to emanate from the views and the well-kept garden. The bedrooms, of which there are now 50, are quite small compared to what one would get, say in America, but they conform to our regulation size. They are not lavishly furnished, but they are comfortable and neat, and above all, in very good taste. The ceilings and frieze are white, the wallpapers faintly toned in pastel shades of charming design, and the carpets maintain those tonings, but in deeper hues.
The bed spreads, of washable Cesarine, are one-toned to match, maintaining a balance between the figured carpets and wallpapers. There are two sets of window blinds, a dark brown for summer and a cream for winter – to keep out the light and heat. Besides a central light, there is a bedside lamp and one on the dressing table, and also a tiny electric fan for summer use. There are four styles of room, one furnished in honey coloured Australian satinwood, finely grained, one in Italian walnut, one in restful tones of green lacquered, and one in mahogany colour. Each room has a wash basin with hot and cold water, but the common bathroom and toilet, unfortunately, is general, even in this otherwise good class hotel.
|‘ Decoration and Glass’ Feb. 1936|
The price for this convenience with excellent cuisine is from £4/4/- per week per person for single room and common bathroom and toilet to £7/7/- per week per person for a private suite of a double bedroom, sitting room, bathroom and verandah. The carpeting, with the exception of that to the entrance, was carried out by Mr. Carney of Artistry Wholesale Furnishers, as well as the upholstering material, furnishing fabrics and the outside blinds.
It would be safe to say that nowhere in the world could accommodation of such a standard be obtained at from 12/- to £l/l/-per day. The dainty little pale pink open-voile frilled and crossed-over curtains in the bathrooms are but one of the little things that surprise and delight the patrons. Unsightly pipes do not protrude themselves – just chromium plated shower and tans only are noticeable. The exterior is in textured brick in which the colours blend harmoniously. As so many modern buildings use unblending colours, and some use “howling” colours, it seems almost necessary to mention this fact. The approach is through a port-cochere behind a flaming bed of bonfire salvia. It is rectangular with classic corner piers and columns.
|‘ Decoration and Glass’ Feb 1936|
The tiled flooring is in 6in. squares with |in. tile striping running between each-pair of tiles. In the octagonal entrance hall, four alternate sides arc devoted to openings –the entrance door, the passage to the suites, the hall that leads to the verandahs and ball- room and the wide office counter. Alternately between these are a Wunderlich Ruftex brick fireplace, telephone booths, an office door and the stair approach. The entrance door is in two leaves, each having a deep Luxfer panel with chromium plated kicking plates and handrail. The former dining room has been extended by taking in a portion of the front verandah, and this is reserved for the use of residents. The drawing room has been extended to double the former size. It is richly carpeted and furnished with upholstered three-piece suites in modern design. The curtains maintain the colouring of the carpet in copper green and buff. The former ballroom is now a billiard room with one full-sized table from Heiron & Smith Ltd., and there is room for another.
It is the new ballroom, used by day as a dining room for non-residents, which constitutes the principal feature of the new section. It is a spacious room with four pillars near the angles. It is covered with a nut-brown Feltex heavily mottled in long stripeto roll up readily for evening dances. It would be better if left undisturbed. The walls are panelled and are in two tones of buff, one tone being obtained by a textured or patterned paper and the other being the matt finish of the plastering. The cornice treatment is a classic; it consists of a chevron moulding near the ceiling, beneath which is a frieze in the Grecian pelmet manner, maintaining a striped surface with a plastered finish on its alternating faces which are in two tones of buff, whilst on the zig-zagging soffit, corresponding with the two faces of the pelmet, gold and silver paper cover the alternating faces
The ceiling is in receding stages after the manner of the Soldiers’ Memorial (a Halicarnassus Tomb) in Melbourne, until it reaches the lighting panels in the centre, and here something special has been provided, in that the whole of the ceiling is covered with parchment through which a soft light filters. In a passage from the main building the wall is lined with Golden Ray mirrors to the full ceiling height, which colour tones in with the furnishing. Since Frank O’Brien Ltd. put Golden Ray mirrors on the market they have become very popular in positions such as this.
There are five sets of windows 6ft. wide, curtained with overlapping extremely dainty frilled centre curtains and tweed curtains striped horizontally at the side, and the side curtaining is also applied to the three 12ft. folding doors to this room, running on McCabe’s runners. The orchestra has been given a small stage, a baby grand Beale piano, and ornate lighting stands; surrounding this it a balustrading in honey-coloured Australian satin wood. Above is a pierced duct through which the Panotrope music filters. The chairs are upholstered in tapestry of buffs and browns, and the wall settees are also carried out in this upholstery, with high backs to ensure keeping a clean wall. The upholstery work generally is along simple lines, luxuriously comfortable; it was designed and manufactured by Ricketts and Thorp Ltd and it is a compliment to this firm that, having supplied furniture to the older building, it was asked to carry out the work in the new section.
The whole has been very well carried out as regards selection of materials, design, craftsmanship, and last, but very important – price. It is just frankly expressive of our modern times, is full of tone and quality without being in the least bit aggressive, or bizarre, as so many things in the modern manner can become unless discretion is exercised. The ballroom opens onto a verandah 40 feet long and quite 13 feet deep. It is furnished in green and yellow modern wicker furniture with closely woven wicker seats and backs. In addition to usual and unusual attractions such as tennis court, a deck tennis court, a reflecting pool lit up with lights on the water’s edge and a nine-hole golf course.
|Panoramic view, 1936|
Only 40 miles from the G.P.O. – offers Visitors unique features – the convenience of a city hotel set amidst mountain scenery. Within an easy 80 minutes’ drive along the perfect surface of The Great Western Highway. Around this Hotel is a wealth of romantic and historical interest from its spacious, cool verandahs looking out over the terraced gardens, so reminiscent of Italy and the Riviera, can be seen the places which figured so prominently in Australia’s early history.
|ECAFE conference 1948|
The hotel hosted a number of official and international events and conferences, including accommodation for the rowing crews in the 1938 British Empire Games, the British Commonwealth Relations Conference (Sept 1938), United Nations Relief and Rehabilitation Administration (UNRRA) (Feb 1945), the second UN Economic Commission for Asia and the Far East (ECAFE) (Dec 1948).
|ECAFE Conference 1948|
After World War II, the R.A.A.F. Operational Command was looking for a permanent site to house its Eastern Area Headquarters, and in 1949 they acquired the Lapstone Hotel for £63,000. Both buildings are now part of the RAAF establishment and have State Heritage Listing.
Thanks to Barbara Higginson for access to research notes and photos.